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The way Ratliff and DP Shelly Johnson glided the camera through the old building’s candlelit stone halls gave the entire house a strange sense of being alive, as if it were watching the drama unfold. Even at that early stage, it was clear the titular “Home” was one of the most important characters in the film. My initial creative conversation with director George Ratliff took place over Skype while he was still on location in Italy, finishing principal photography. LIGHT SPOILERS AHEAD: While the film is anchored by intense performances from the three leads, it was actually the cinematography and location that first fueled my musical imagination. My score crescendos, powered by a war between a viola da gamba and an upright bass! Their strained relationship buckles under pressure as their paranoia ratchets up. In the film, Bryan (Paul) and Cassie (Ratajkowski) vacation at a rental home in the Italian countryside, and gradually suspect their neighbor, Federico (Scamarcio), might be a threat.

“Welcome Home,” the new erotic thriller starring Aaron Paul, Emily Ratajkowski, and Riccardo Scamarcio, gave me the opportunity to compose a sinister, lyrical, and melodic score.

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