You can use a multiband compressor as a de-esser, to compress just the 6-8 kHz range of a vocal. They allow you to target specific groups of sounds and compress them as necessary.

At a mastering level, multiband compressors are extremely useful. They’re similar to dynamic EQs, but there is a difference between dynamic EQs and multiband compressors.

Multiband compressors allow you to compress specific frequency ranges independent of one another. iZotope - Ozone 8 Dynamics (Best Multiband Compressor) - $249 If you can only afford one compressor, get the FabFilter Pro-C 2. It’s the Frank’s RedHot of compressors and sounds good on just about anything. When I’m looking for a reliable compressor that will undoubtedly perform well, I reach for FabFilter’s Pro-C 2. There’s an Audition button that solos audio triggering the compressor, a Mix setting that scales the gain change from 0% to 200%, smooth lookahead up to 20 ms, up to 4x oversampling, a custom knee, and loudness level meters. The Pro-C 2 includes a sidechain EQ section with customizable high-pass and low-pass filters, plus an additional freely adjustable filter. Each algorithm provides a unique style of compression, so the Pro-C 2 is like 8 compressors in one.įabFilter has included all the features you could wish for in a digital plugin compressor. It provides 8 different compression algorithms that include Clean, Classic, Opto, Vocal, Mastering, Bus, Punch, and Pumping. If you’re looking to upgrade from your digital audio workstation’s stock compressor, the FabFilter Pro-C 2 is a versatile option.

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